“Renaissance Faire” is a study in plucked chords, using the thumb and two fingers to sound three notes together. The goal is to get all three notes to sound evenly and clearly. Don’t overthink your hand position, just work slowly and concentrate on keeping the hand relaxed: don’t overextend the wrist, use small motions, and […]
Fundamentals of fingerstyle: hand position and movement
Playing with your fingers instead of a flatpick opens up an entirely new set of sounds, no matter what style you play. Whether you pluck, strike, strum, snap, or slap the strings, your sonic possibilities increase exponentially – and there’s virtually nothing you can do with a pick that you can’t do with your fingers. Some of […]
Effective practicing: chord transitions
Do you know how to practice? We all want to improve our skills, but it can be hard to know where to start or how to go about it. A good percentage of people who come to my studio have played for years but feel like they stopped improving a long time ago, and need […]
Flatpicking fiddle tunes: “The Red-Haired Boy”
Flatpicking Lesson: The Red-Haired Boy “The Red-Haired Boy” is a popular fiddle tune, a traditional melody most likely of Irish origin. The term “fiddle tune” is a general description for instrumental folk tunes from the British Isles and elsewhere that have been passed down from player to player for generations. This was once music for […]
Light As A Finger: fret hand control and balance.
Fretting hand position can be a topic of some debate. The main question most people seem to focus on is the position of the thumb: should it always stay in the center of the neck or reach over the top? I’ve come across many people over the years who say they were told the thumb […]
